Thursday, 23 October 2014

Posters and genre - Conclusion

After analysing melodrama posters, I noticed many recurring conventions that they shared. These included:

  • A setting like a beach or a sunset as the background
  • A dominant image of a male and female embracing/kissing
  • Reviews, usually talking about how sad or romantic the film is and the impact it will have on the audience
  • Tag lines that refer to drama or romance and suggest something to the audience about the film, whether it be the storyline or the genre in general.
  • Billing
  • Reference to the writer of the original novel - usually Nicholas Sparks
  • Soft Pastel colours for the fonts
  • A release date
  • Title of the film.
I will therefore make sure that the majority of these conventions are in my own poster, in order for it to look authentic.

Sunday, 12 October 2014

Results of questionnaire for poster

Most of the results are from my questionnaire regarding my poster confirmed what I had found from close textual analysis of existing posters for films from the melodrama genre. As expected, the majority of people (over 90%) felt that the most appropriate image that would be found on the poster would be of a couple kissing/embracing. As a result of this I have created a shot list for my photoshoot with my main actors that involves them in various 2 shots in close proximity to each other. The point of this is to imply to the audience that at least during some point in the narrative, the couple are together and experiencing happiness before the inevitable tragedy that is typical of the genre occurs.

I had noticed during my secondary research into posters that that the colour scheme on the poster was often soft pastels, rather than bright and colourful (which would be more typical of a romantic comedy, rather than a romantic drama) or dark and muted (which is a common colour scheme on posters from the thriller genre). Whilst some of those questioned opted for a bright and colourful colour scheme, over 70% said they expected to see soft pastel colours which would reflect the couples happiness, and the theme of love. I have already started selecting a range of potential pastel colours to use on my poster when I begin creating it on photoshop.

Almost all of the posters I analysed included a setting behind the characters that was reflective of peace and tranquility and that had romantic connotations (beaches, woodland, nature, rather than an urban environment). The majority of answers made reference to a natural landscape with a beach and parkland being the most popular. As a result of my findings here, I am going to take shots of a number of different locations that would be potentially suitable as the backdrop for poster.

I have already conducted considerable research into the certificates of melodramas and have found that, with the odd exception, films from this genre tend to receive a 12A certificate at the cinema and a 12 on DVD. Surprisingly, quite a high number of responses thought that a 15 certificate but as this does not tally with my own research I have decided to stick to the 12A certificate, which appears to be most common within the genre.

When I asked a question regarding whether the font for the name of my film should be lower case or upper case, I got  pretty mixed response, with only slightly more people suggesting that the font should be lower case. This did tally with what I had found when analysing existing posters from the genre, with some such as Dear John and Safe Haven, using upper case and The Notebook and My Sister's keeper using lower case. I think I will use lower case font on my poster but it may depend on the overall look on my poster when all of the various elements have been added.

The majority of people I questioned regarding release dates thought that films from the melodrama genre would be released either in Winter or Spring. Many of the films whose posters I analysed were released in February so I think I will target Valentines Day as my release date.

With regards to questions I asked about names of stars and tag lines appearing on the poster, almost everybody questioned thought that they should. I have already written my tagline and will include it on my poster underneath the name of my film. I will also include the names of my 2 lead actors.

The final question I asked was regarding reviews. Roughly half of the respondents thought reviews should be included on a poster, whereas the other half suggested not. I have decided to include reviews on my poster for a number of reasons. Firstly, I feel quite strongly that reviews help sell a film to audiences. Secondly, as my teaser trailer will come from the beginning of the films marketing campaign, I think that it will be appropriate (in terms of showing my understanding of how a films marketing campaign works) that my poster should come towards the end of the campaign - it will therefore be more likely to include reviews. Thirdly, including reviews will give me another opportunity to show my understanding of audience, as I will choose publications that will be most appropriate for my chosen demographic.

Saturday, 11 October 2014

Questionnaire for poster

Having gathered lots of secondary research ahead of creating my poster, I thought it would be useful to do some primary research to find out first hand what audiences would expect to find on a poster for a film from the melodrama genre.

below is my question questionnaire, which attempts to gather information about the type of image, colour scheme, setting certificate and even type of font and release date that audiences would accept for my kind of film. I will distribute my questionnaire only to fans of the melodrama genre (I will ask them if they have seen films from the genre such as The Vow and The Notebook before asking them to fill out the questionnaire).

The information I gather from this primary research will be incorporated with the conventions I have noticed form analysing posters from the genre, before I add these conventions to the poster I create. Once I have gathered the information, I will post my results.

What do you except the main image in a melodrama poster to be?

- An individual male?
- An individual female?
- A couple kissing/embracing?
- A couple fighting?
- No people?

What do you expect the colour scheme to be?

- Dark and muted?
- Soft pastel?
- Bright and colourful?

If there is another setting behind the characters, what would you expect it to be?

- An urban location
- An outside location (a forrest or beach)
- A domestic location (a house)
- A work place location (an office)

What would you expect the certificate of a melodrama film to be?

- PG
- 12A
- 15

What font case would you expect the poster to have?

- Upper case
- Lower case

What season would you expect a melodrama film to be released?

- Autumn
- Winter
- Spring
- Summer

Would you expect the names to be on the poster?
-Yes
- No
- Don't know

Would you expect to see tag lines to be on the poster -
-Yes
- No
- Don't know

Would you expect to see reviews on the poster?
-Yes
- No
- Don't know

Friday, 10 October 2014

Certificate for my own film

I have based my decision to give my melodrama, Winter Shadow, a 12A certificate, mostly on my secondary research into existing melodramas rather than the primary research I conducted.

Whilst some of the themes may not be entirely appropriate for viewers under the age of 12, I feel that most of the content will be suitable as the film will contain very few swear words, limited sexual content and very little violence or threat.

Thursday, 9 October 2014

Certificates

I am looking at certificates for my film, so to help me decide what age rating my film is most appropriate for I looked at various melodramas such as:
  • The Best of Me (12A)
  • Safe Haven (12A)
  • Dear John (12A)
  • My Sister's Keeper (PG)
  • Patch Adams (12A)
  • The Notebook (12A)
  • Ghost (12A)
  • The Vow (12A)
  • Far From Heaven (12A)
  • The Fault in Our Stars (12A)
  • A Walk to Remember (PG)
  • An Unfinished Life (12A)

I found that most melodrama films have the certificate of a 12A. I found this information out using the BBFC website.

Link to BBFC website for 12 and 12A certificates 













Films classified 12A and video works classified 12 contain material that is not generally suitable for children under the age of 12. If someone younger than the age of 12 wanted to see a 12A film, they have to be accompanied by an adult. Adults planning to take a child under 12 to watch a 12A film should consider whether the dil is suitable for the child.

The difference between a 12 and 12A:
  • 12A requires an adult to accompany any child under 12 seeing a 12A film.
  • 12 means one has to be 12 to view the film, with or without and adult.
  • The 12A certificate is not restrictive, it is more advisory.
  • A cinema may lose its license if adult accompaniment is not enforced for children under 12 admitted to a 12A film.
  • Accompanied viewing cannot be enforced in the home, so the 12 certificate remains for DVD,s, rather than the 12A.
  • The 12 certificate means one cannot seek or rent the item unless the customer is over the age of 12.

Tuesday, 7 October 2014

Creating my billing introduction

I am going to use existing crew who have worked within genre before because that will help make my marketing campaign seem even more realistic.

When it comes to the actors in my marketing campaign, I am going to create fictional biographies for imagines A list actors as I will be unable to use real actors in my marketing campaign. Films are most commonly marketed on the basis on the starts who appear in the films and therefore appear.

Lasse Hallstrom
Director
Worked on films inclduing Safe Haven and Dear John - both melodrama films




















Deborah Lurie
Composer
Worked on films including Dear John and Safe Haven - both melodrama films





















Nicholas Sparks
Writer
Worked on films including The Lucky One, Nights in Rodanthe, The Notebook and A Walk To Remember - all melodrama films




















Nancy Richardson
Editor
Worked on films including The Vow and The Last Song - both melodrama films

















Aaron Zigman
Music
Worked on films including The Best of Me, The Notebook and My Sister's Keeper - all melodrama films




















Amanda Mackey Johnson
Casting Director
Worked on films including The Vow and The Last Song - both melodrama films





















Terry Stacey
Cinematographer
Worked on films including Safe Haven and Dear John - both melodrama films





















Karyn Wagner
Costume Designer
Worked on films including The Notebook - a melodrama film

















Mark Friedberg
Production Designer
Worked on films including Broken Flowers and Far From Heaven - both melodrama films




















Denise Di Novi
Producer
Worked on films including A Walk To Remember, The Lucky One, The Best of Me and Nights in Rodanthe - both melodrama films



















Bruce Berman
Producer
Worked on films including The Lucky One and Nights in Rodanthe - both melodrama films




















Marty Bowen
Producer
Worked on films including The Fault in Our Stars, Safe Haven and Dear John - all melodrama films



















Poster Billing Analysis

During my analysis of existing posters and teaser trailers I noticed that one typical convention that kept recurring was the credits or billing that appeared at the bottom of the poster and at the end of the teaser trailer. I am going to include the billing in my poster and teaser trailer so I will analyse existing credits so I can find out the order that things appear in the billing. I will do this for teaser trailers later, but for now I am going to look at the billing of 3 posters from the melodrama posters.






1) The production distribution companies - there is often more than one, sometimes up to 4 or 5.

2) A film by… Name of a director.

3) You often get the name of the biggest star in the film.

4) The name of the film in adverted commas.

5) The names of the rest of the cast.

6) A number of other crew members including casting director, costume designer, production designer, music, editor, director of photography - the order of these things often changes.

7) Executive producers - there are often a number of executive producers.

8) Producers - there are often a number of these (sometimes the biggest star or the director is also a producer.

9) Reference to existing source material based on the novel by…

10) Screenplay

11) Director

Potential Production Companies

I need to research potential production companies that will produce my film so that I can include their logos at the start of my teaser trailer and on my poster. To make my marketing campaign seem authentic, I will also need to include the names of production companies on my billing for my poster and on my teaser trailer.

Below are 5 potential production companies that could produce my film. Each of these companies has a track record for producing films from the melodrama genre.


Temple Hill Entertainment:












Temple Hill Entertainment has produced several films within the melodrama genre including Dear John, The Fault in Our Stars and Safe Haven.


New Line Cinema:











New Line Cinema has produced several films within the melodrama genre including The Notebook and My Sister's Keeper.


Relativity Media:














Relativity Media has produced several films within the melodrama genre including The Best of Me and Safe Haven.


Warner Brothers:













Warner Brothers has produced several films within the melodrama genre including Million Dollar Baby, The Lucky One and Nights in Rodanthe.


Screen Gems:














Screen Gems has produced several films within the melodrama genre including The Vow and Dear John.

Monday, 6 October 2014

Potential Taglines For My Film

I need to come up with a tagline that I will use across my marketing campaign for my poster and teaser trailer. I am going to write a few potential taglines and see which one I like the most. While creating my potential taglines, I've tried to incorporate many of the elements that I've found in existing taglines. 
  • 'What would you do if you couldn't escape your past?'
  • 'Love will extinguish the shadows of the past'
  • 'Would you let your love determine your future love?'
  • 'A chance meeting, a troubled past, a forbidden love'
  • 'Never give up on the one you love'

I am going to conduct a focus group to help decide which tagline is most suitable for my film. For this primary research I am going to gather members of my class and after explaining what genre my film will belong to and outlining the basic storyline, ask them to rate each tagline out of 10. I will then collate the results before deciding which tagline to choose.

Tagline Conclusion

When doing research of taglines from existing melodramas, I made note of the elements that crop up time and again.

Words such as love, living, story, you and life came up a lot in the taglines.









Some of the tagline would be a question.





Many of the taglines for melodramas were very direct. By using words such as 'you', it is being direct to the audience.










A lot of the taglines are quite serious and powerful, whether they are addressing illness or a rocky past, which all affect their relationship situation and future ahead.






I will try and corporate some of these elements into my tagline.

Tagline Research

Dear John





The Notebook







Nights in Rodanthe




Safe Haven





The Best of Me







Charlie St. Cloud









Far From Heaven








Marley & Me








A Walk To Remember





The Prince & Me







The Fault in Our Stars






Big Fish





Message in a Bottle





An Unfinished Life





Brokeback Mountain





Million Dollar Baby








Patch Adams








Waiting To Exhale






Untamed Heart













Ghost








Steel Magnolias








Dying Young







Truly Madly Deeply